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You’ve touched on a very sensitive and important point.

It’s true that many people who grew up in China have a complicated relationship with narratives that focus on negative historical periods. There is often a defensive reaction, a feeling that such stories are 'smearing' the country's image.

However, as a writer, I believe that truth is always more important than a curated image. Authentic memories are often scarce, precisely because they are difficult to tell. My goal with the '404' series is to provide a piece of that missing truth—not to judge, but to document a reality that actually existed. In the long run, I believe a society is better served by facing its complex past than by forgetting it.





Hello from Germany, and thanks for the blog post. Fascinating read. I liked how you intertwined the personal point of view with the bigger picture.

"Facing a complex past" is a big theme in Germany, too, of course, and I think it's the only proper way to deal with it. Direct witness accounts and retelling are important and add something that a dry history book can't provide. Keep up the good work!


Thank you so much!

Wild Swans has received criticism for ignoring statistics and human demographic evidence on the scale of the famine, and therefore lacks an element of verifiability and number inflation. However the author wrote in a spirit of truth telling from familial experience as I understand it: she was finishing her PhD when I was studying at the same UK university (York)



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