I don't think the question was about whether this would actually help the advertisers. (I suspect it was rhetorical.) Of course the defense will now be harder to execute for anyone who reads this thread.
"The security exper’s analysis indicates the attack ceased on November 10, 2025, while the hosting provider’s statement shows potential attacker access until December 2, 2025. Based on both assessment, I estimate the overall compromise period spanned from June through December 2, 2025, when all attacker access was definitively terminated."
Yeah, that refers to the MITM attack on the update server. We have no fucking clue what they actually did while they were in the middle - whatever exploit code was running may very well be running right now on compromised machines. Nobody knows what the compromised exes actually did.
Thanks for your nonanswer, though. It was about as unhelpful and unspecific as the original blogpost for this.
There are few, Spain's King Juan Carlos I being crowned king after Francisco Franco's death, and Chile's Pinochet leaving power after the 1988 referendum for example.
I'm surprised they didn't mention turning off closed captioning, because understanding the dialog is less important than experiencing the creator's intent.
Incidentally, that's the reason why I love photography in Nolan's movies: he seems to love scenes with bright light in which you can actually see what's going on.
Most other movies/series instead are so dark that make my mid-range TV look like crap. And no, it's not an HW fault, as 500 nits should be enough to watch a movie.
There is a difference between dialogue you aren't supposed to understand (Nolan) and dialogue you should understand but can't (basically everyone else)
Yeah... At home we have partially solved this problem by using a BT speaker on the table, as we mostly watch movie while we have dinner. Simple and effective.
Mentioned this elsewhere but The Dark Knight Rises is one of the worst dark movie offenders. When someone says dark movie scenes it’s what comes to my mind. That one confusing backwards movie has terrible audio he did on purpose.
Oppenheimer didnt suffer from either of those issues but I’ve only watched it once on a good TV.
Could barely tell what was going on, everything was so dark, and black crush killed it completely, making it look blocky and janky.
I watched it again a few years later, on max brightness, sitting in the dark, and I got more of what was going on, but it still looked terrible. One day I'll watch the 'UHD' 4k HDR version and maybe I'll be able to see what it was supposed to look like.
Problem is, you’ll have to find a high bitrate version. Whatever they streamed on HBO the day of release was really shitty bitrate which crushes detail in detail-starved scenes like these
I tried a load of different versions including blu-ray rips IIRC, and it was all just as bad.
When I last rewatched it (early pandemic), as far as I could tell at the time there was no HDR version available, which I assume would fix it by being able to represent more variation in the darker colours.
I might hunt one down at some point as it does exist now. Though it still wouldn’t make season 8 ‘good’ !!
My LG oled will go darker by itself during prolonged dark scenes, its not noticeable (other than that you can't see anything and you're not sure if its correct or not) until you get to a slightly brighter scene, can get it to stop for a bit by opening a menu.
I have some *arrs on my server. Anything that comes from Netflix is bitstarved to death. If the same show is available on virtually any other streaming service, it will be at the very least twice the size.
No other service does this.
And for some reason, if HDR versions of their 1080p content are even more bitstarved than SDR.
This is true for amateurs encoding video files to be pirated, but for the mega corps, sending more bits costs more money.
Many years ago, I had a couple drinks with a guy from Netflix who worked on their video compression processes, and he fully convinced me they're squeezing every last drop out of every bit they send down the pipes. The quality is not great compared to some other streaming services, but it's actually kind of amazing how they're able to get away with serving such tiny files.
Anyway, I think we can expect these companies to mostly max out the resultant video quality of their bitstreams, and showing the average bitrate of their pricing tiers would be a great yardstick for consumers.
YouTube does this. When I open a video the quality is set to Auto by default. It'll also show the "actual" quality next to it, like "Auto 1080p". Complete lie. I see this and see the video looks like 480p, manually change to 1080p and it's instantly much better. The auto quality thing is a flat out lie.
I found a pirate copy of Netflix at 1080p looked a lot better than Netflix at 1080p, presumably because the pirate copy was a remix of the 4K copy and Netflix serves a low bitrate 1080p version.
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